I’m thrilled to announce that my story “Everything That Rises,” forthcoming from my debut story collection, has been accepted by Coal Hill Review! “Everything” will be in CHR’s new issue, which goes live on Feb 28.
Special thanks to Ron Slate for publishing my story “Click” in his journal On The Seawall. It seems like I just can’t stop writing stories about deer and Western PA. This one has an angry cop in it. You can read the whole thing here.
I was truly honored this year to serve as a judge for The Sejong Cultural Society’s 2018 Essay Contest. The competition was fierce, and it was wonderful to learn about Korean culture and history, especially at this point in history.
You can read the winning entries here and see a list of this year’s judges here. Special thanks to Lucy Park: it was really neat being asked to judge essays alongside Molly Gaudry and Christine Hyung-Oak Lee.
Special thanks to Karissa Chen for publishing my short story “Stop Hitting Yourself” in Hyphen Magazine’s forthcoming Adoptee Lit folio. It’ll be on newsstands and shelves in early November.
I recently stumbled on Sherman Alexie’s classic essay “Superman and Me,” in which he discusses how he first discovered the joys of reading. Later on, after he becomes a noteworthy poet and short story writer, he visits schools on reservations and encourages the students to write their own stories and poems. “I am trying to save their lives,” he writes, noting that “A smart Indian is a dangerous Indian.”
My take on Alexie’s essay is that there are entire generations, entire groups who have been beaten down so long that they don’t realize that their lives and experiences have value. Teaching someone how to re-discover and raise their voice is certainly a noble task, one that affirms the value of one’s life and presumably leads to additional quiet benefits that can last a lifetime. And in terms of politics, to paraphrase Alexie, a smart Indian who realizes their worth can start to raise their voice and challenge the status quo. And that’s important–it is my opinion that in our current political climate, we’re going to need a bottom-up and top-down approach to make any meaningful or lasting change.
I’m proud that Sarabande Books (which is a nonprofit based in Louisville, KY) does a lot of literary outreach work and works hard to promote local writers and literature. This year, they’re participating in the Community Foundation of Louisville’s philanthropic event “Give for Good Louisville” on Thursday, September 14. Every dollar Sarabande raises will be increased with a proportional match and additional prize dollars, so it’s a great opportunity to maximize your giving. I’m donating, and I hope you’ll be able to join me.
A few days before I started grad school, Pitt’s MFA Program Director invited all the MFA students from all genres to the back room of Hemingway’s Cafe. It was a great way to meet everyone, and I’m sure that 23 year-old Robert made a terrible impression on many of his future classmates.
For this reason, and many others, Hemingway’s Cafe has always held a special place in my heart. If you’re in town next Tuesday, 35 year-old Robert will be there to make another terrible impression, as he plans to read some new material. Details: 3911 Forbes Avenue in the back room, 8PM.
Even better, you can also come hear:
Joan E. Bauer is the author of The Almost Sound of Drowning (Main Street Rag, 2008). Recent work has appeared in Chiron Review, Cider Press Review, The Paterson Literary Review, Slipstream, Uppagus, US 1 Worksheets, and Vox Populi: A Public Sphere for Politics & Poetry. Joan worked for some years as an English teacher and educational counselor and now divides her time between Venice, CA, and Pittsburgh, PA where she co-hosts and curates the Hemingway Summer Poetry Series with Jimmy Cvetic.
Sheila Carter-Jones has been described by Herbert Woodward Martin as one who writes with “immediacy of tone, voice and language.” Much of her work to date charts in images and music the lived experiences of a small-town girl brought up in a house across from the boney dump of Republic Steel Coal Mines outside of Pittsburgh, Pennsylvania. She has been published in Pennsylvania Review, Pittsburgh Quarterly, Tri-State Anthology, Blair Mountain Press and Flights. Grace Cavalieri, producer and host of “The Poet and the Poem from the Library of Congress” says that Sheila’s recent book Blackberry Cobbler Song premiers a narrative poet in the greatest tradition of American storytellers. She is currently working on a new poetry manuscript and a memoir.
Karla Lamb’s work has appeared in Word Riot, Brooklyn-based A Women’s Thing Magazine, Pittsburgh Poetry Review, Pittsburgh City Paper, Runaway Hotel, and Voices from the Attic Vol. XIX. Lamb is a current MFA candidate in Carlow University’s Creative Writing program, and is currently working on her full length manuscript. She edits for After Happy Hour Review, and curates DOUBLE MIRЯOR EXHIBIT in Pittsburgh, PA.
Arlene Weiner is the author of City Bird (Ragged Sky). A city bird herself, Arlene Weiner grew up in pre-gentrification Manhattan and now lives in Pittsburgh. She has been a cardiology technician, a college instructor, an editor, and a research associate/member of a group developing educational software. She belongs to the US 1 Poets’ Cooperative, Pittsburgh Poetry Exchange, Squirrel Hill Poetry workshop and Madwomen in the Attic. Arlene has had poems published in Pleiades, Poet Lore, The Louisville Review, The Pittsburgh Post-Gazette, anthologized in Along These Rivers, and read by Garrison Keillor on his riter’s Almanac. Poet Joy Katz wrote of Arlene’s previous collection of poems, Escape Velocity (Ragged Sky, 2006), “I want to keep my favorite of these beautifully alert, surprising poems with me as I grow old.” Her play, Findings, was produced this past March by the Pittsburgh Playwrights Theatre Company.
A lifelong writer, Justin Vicari is a widely published poet, critic and translator. His first collection, The Professional Weepers (Pavement Saw, 2011), won the Transcontinental Award. His work has appeared in Barrow Street, Spoon River Poetry Review, 32 Poems, Hotel Amerika, The Ledge, Oranges & Sardines, American Poetry Review, Southern Poetry Review, Third Coast, and other journals. He lives in the South Hills of Pittsburgh.
From Sarabande Books’ announcement today:
We are pleased to announce the winner of the 2017 Mary McCarthy Prize in Short Fiction judged by Paul Yoon is Tiny Heroes, Tiny Villains by Robert Yune.
This means Tiny Heroes will be published by Sarabande sometime in 2018. Sarabande is one of the nation’s premiere independent publishers, and they’re also doing great education and advocacy work. It took a long time to publish this collection, but I can’t imagine a better home.
As my former Readings students could tell you, I’m a huge fan of Paul Yoon–even taught Once the Shore a couple years ago. If you missed my FB announcement, here it is:
If writing a novel is like creating a world you start to live in, then writing a short story collection is more like curating a museum exhibit. Putting together TINY HEROES, TINY VILLAINS meant meeting (and sometimes confronting) past versions of myself: the angry MFA candidate with something to prove, a young writer suddenly untethered from the conventions of writing workshops, a desperate adjunct professor adrift during a recession, a bored writer suddenly obsessed with breaking rules, and so on.
Any good exhibit could have its own exhibit displaying the countless researchers, archivists, librarians, and unlikely contributors who made it possible.
THTV had a long, winding path to publication, but over the past five years, one thing that will always amaze me is the unwavering support from my family and friends. Throughout the years, many of you saved these stories from my worst impulses and all of you encouraged me to become a better artist and person. I’m proud of these stories, but I’m even prouder that this book is a monument to all the wonderful people who made it possible.
There’s not enough room to name everyone here, but I do want to say that this book would not exist without Geeta Kothari, who saved it from being a malformed novel, literary hero Sarah Gorham, and judge extraordinaire Paul Yoon. Congratulations to all the finalists as well!